Thirteen, Catherine Hardwicke's debut feature, is a vivid and moving story about the 4-month transformation of a young girl, Tracy, into a rebellious teen right before her mother's eyes. The catalyst for the transformation is Tracy's new friendship with Evie, the most notorious girl in school who introduces Tracy to the vices available to girls who want them. The three actresses, Evan Rachel Wood as Tracy, Holly Hunter as her mother, and Nikki Reed as Evie (who is also the movie's co-writer), are all excellent. Hardwicke's camera has the attention span and eye for detail of a teenage girl, but the pace of the montage slows as Tracy approaches her breaking point, a counter-intuitive technique that is especially effective late in the movie when the camera begins to tilt woozily. The climax plays without music as Hunter holds her daughter in a mother-grip that seems almost too real to watch.
Many scenes are microcosms that echo the story's larger themes, such as when the mother, a hair dresser, wants to confront her daughter but is stopped by an egg timer that requires her to tend reluctantly to a client's highlights. Through much of the movie, characters bounce around the interiors of small houses asking each other for privacy while pushing easily through doors that don't lock and gazing through windows that separate rooms, as if the family members are figuring out literally and figuratively when to pull away and when to cling.
At times I wondered why Evie's expert manipulation seemed to fit the plot so conveniently, and at times I wondered if the movie was pandering to fantasies about what wild teenage girls do when they're not supervised, stirring nearly every imaginable temptation into a titillating stew. The movie simplifies Tracy's emotional state by implying that her problems can be blamed almost completely on evil Evie and can swiftly be repaired by a tearful mother-daughter heart-to-heart in which the mother says exactly the right things. But to its credit, that final scene, which is played with absolute conviction by Hunter and Wood, shows the movie's integrity by acknowledging other elements that have contributed to Tracy's situation, which goes a long way toward eliminating doubts about the filmmaker's motives.